SPARC is the newest member of Re:Create, a Washington, D.C.-based nonprofit founded in 2014 by a diverse coalition of library groups, trade associations, nonprofits, and think tanks advocating for balanced copyright. Joshua Lamel, Executive Director of Re:Create, said he admires SPARC’s work with Open Access and Open Educational Resources for students. The policy agendas of the organizations have some overlap and he says he’s…

The retail sales revenue for the technology industry will reach $461 billion in the U.S. in 2021 – a 4.3% increase year-over-year – according to a new report by the Consumer Technology Association (CTA)®. As millions of Americans remain home and rely on tech to stay entertained, connected and healthy during the pandemic, streaming services, 5G connectivity and digital health…

Here at EFF, we take particular notice of the way that intellectual property law leads to expression being removed from the Internet. We document the worst examples in our Takedown Hall of Shame. Some, we use to explain more complex ideas. And in other cases, we offer our help. In terms of takedowns, 2020 prefaced the year to come with a…

Have you ever seen an eighth-grade production of Romeo and Juliet? You may be interested to know that classroom productions would not be possible to put on in a cost-effective way if the works of Shakespeare were not in the public domain. The public domain is a collection of plays, books, movies, music, images, data sets, and other materials that are…

2020’s Top Moments of Online Creativity While the COVID-19 pandemic forced much of daily life to take place online in 2020, the shift has resulted in many bright spots of creativity, innovation and entrepreneurship. Below are a few of our favorite highlights from the year — all made possible by platforms that rely on the Digital Millennium Copyright Act (DMCA)….

2020, A Breakout Year For The Creative Economy. Axios profiled the creative economy, highlighting how 2020 has been a standout year for creators. “Nearly every major app geared towards content creators has seen significant percentage increases in downloads this year,” the report finds. Throughout the pandemic, Twitch doubled the number of streamers on its platform, while TikTok’s number of downloads…

The DMCA was intended to protect copyright holders from having their work stolen or reproduced online. Too often, however, the DMCA is used as a weapon for rights holders to bully competitors, critics, and even fans discussing their work online. Lindsay Ellis, prominent YouTube creator, will discuss her run-ins with DMCA notices after she published a video that was critical…

Chairman Tillis, Ranking Member Coons, Members of the Committee, thank you for giving me the opportunity to testify today about voluntary agreements. This is an issue that Re:Create’s members care deeply about. Re:Create is a coalition that represents a diverse set of creators, innovators and internet users — groups that overlap with each other more and more over the last…

Lawmakers Attempt To include Controversial IP Bills In Unrelated Government Funding Bill. Protocol reported on last-minute efforts to include the CASE Act, Trademark Modernization Act and felony streaming legislation “at the eleventh hour.” A group of 18 organizations, including Re:Create, sent a letter to congressional leadership asking to remove these proposals from government funding bills. “This backroom deal to empower…

We are at a critical juncture in the world of copyright claims. The “Copyright Alternative in Small-Claims Enforcement Act”—the CASE Act—is apparently being considered for inclusion in next week’s spending bill. That is “must pass” legislation—in other words, legislation that is vital to the function of the government and so anything attached to it, related to spending or not, has a…